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— When I take a look at the mountains or the sky, I realise I cannot spend my time on anything but grandness. It is grandness or nothing.

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«Distant Words»

Mark van de Wiel and the Philharmonia Orchestra. Photo: Morten Lindberg.

— «Distant Words» (a title, one suspects, where the composer has indulged in a little wordplay on "words" and "worlds"!) is, for a work scored for a homogeneous group of instruments in the chamber-music tradition, an astonishingly multi-faceted composition. The extreme range of the clarinet is given a virtuoso but at the same time restrained, almost ascetic, solo part.
Wolfgang Plagge, professor

«Distant Words» is a two-movement symphonic poem for clarinet in Bb and string orchestra by composer Flint Juventino Beppe.

«Reminiscence»

Emily Beynon. Photo: Keith Saunders.

— The flute solo in «Reminiscence» (the concerto's second movement) displays Beynon's world-class musicianship, with stunning tone quality and wonderfully sensitive phrasing.
The Flutist Quarterly (USA)

— Flint Juventino Beppe is one of a handful of composers who are able to create the rare experience of enchanted silence in their music – Beppe's «Flute Concerto No.1» Op.70 contains several such moments. Even though his tools are a "conventional" orchestra using "conventional" instruments, an unreal atmosphere of calm and celestial flight arises. One of the most fascinating aspects in this regard is that he does not use any minimalist or modernist devices at all; he simply allows the music and its inner qualities to speak in full. In our current age of constant hectic activity, where it is barely permitted to think a complete thought, music such as this is of the greatest importance: it gives the listener the chance to experience time as a benefit and not as a punishment. The concerto is dedicated to the Royal Concertgebouw Orchestra's eminent flautist Emily Beynon, and it received its premier performance in London in February 2009.
Wolfgang Plagge, professor

«Reminiscence» is the second movement from «Flute Concerto No.1» Op.70, dedicated to Emily Beynon by composer Flint Juventino Beppe.

«Not really Gone»

Ragnvald Jacobsen. Photo: Unknown.

Is it possible to feel the presence of a person who has passed away? Some people say they can. What stays forever is the emotional imprint of the joy that was once shared. The gentle legend might still be around, and in «Not Really Gone», the last movement of «About my Grandfather», long lines of distinctive and unusual harmonies from the orchestra's string section, set against the backdrop of polyrhythmic woodwinds and horns, create a celestial feeling that might suggest that a dead person is somehow still among us.

«Not really Gone» is the fourth movement from «About my Grandfather» Op.37, dedicated to Ragnvald Jacobsen (1905-1997) by composer Flint Juventino Beppe.

This work has appeared in the movie Montagna con Forza as well as on the album with the same name, About my Grandfather.

Official poster for the event in Würzburg, 09.11.2017

German premiere of «Heart» Op.27 No.5

The marking of a new album release coincided with a premiere in Wurtzbürg.

Hochschulsinfonieorchester Würzburg was conducted by Ari Rasilainen 09.11.2017.

«Heart» is written for tubular bells and string orchestra, and is the fifth movement from the symphonic poem «Theh Goldest» Op.27

13.11.2017, the complete «Theh Goldest» Op.27 is available on the album INFINITY CHIMES by Flint Juventino Beppe

Published November 11, 2017

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FJB Updates

Sheet music

Major font update

[February 7, 2017] The process will take several months to accomplish, but The FJB Fingerprint will publish new versions continuously on this news page. Read more

FJBlog

Nature speaks, and one has to listen.

[May 12, 2018] I answer to Nature only, because Nature is not human made. Read more

Albums & Films

New release pages

[March 7, 2018] Check out album details for all Symbiophonic releases. Stream or download a number of tracks. Read more

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